The two talk about the production and the various difficulties they ran into, all related to low budget filmmaking, and then their surprise at the film’s reception, which moved it from an intended television film to an actual theatrical release. Metropolitan DVD Whit Stillman Special Edition The Criterion Collection New. The disc then closes with the film’s American theatrical trailer while the insert features an essay on the film, the presentation of its characters and time period written by Graham Fuller.

... Oliver Stapleton: 2015 Criterion interview. Free shipping. In the wake of Bong Joon Ho’s internationally beloved hit, a new Criterion Channel series looks back at the explosion of Korean filmmaking that began at the turn of the millennium.

My Beautiful Laundrette, written by Hanif Kureishi and directed by Stephen Frears, threw a Molotov cocktail of urban chaos, polemical ire, spiky comedy, and mixed-race queer … The Criterion Channel -- Film and Content Discussion, [Criterion Rumors and News] / Tue Nov 10, 2020 09:01:36 PM, [Arrow DVDs and Blu-rays] / Tue Nov 10, 2020 07:07:39 PM, [Boutique Labels] / Tue Nov 10, 2020 05:25:05 PM, [Filmmakers] / Tue Nov 10, 2020 10:04:49 AM, [Indicator Blu-rays] / Tue Nov 10, 2020 10:03:16 AM, [Boutique Labels] / Tue Nov 10, 2020 09:47:13 AM, [Arrow DVDs and Blu-rays] / Tue Nov 10, 2020 08:33:57 AM, [General Film Discussion] / Tue Nov 10, 2020 07:28:19 AM, [Filmmakers] / Tue Nov 10, 2020 03:40:07 AM, [DVD and Blu-ray News and Discussions] / Tue Nov 10, 2020 02:47:44 AM, [DVD and Blu-ray News and Discussions] / Tue Nov 10, 2020 02:46:51 AM, [Indicator Blu-rays] / Tue Nov 10, 2020 01:31:22 AM, [DVD and Blu-ray News and Discussions] / Mon Nov 09, 2020 10:03:16 PM, This site is not affiliated with The Criterion Collection. Criterion then provides a new 16-minute interview with writer Hanif Kureishi. The presentation, though, is very strong and easily this releases’ selling point. This was cinematographer Stapleton’s first collaboration with Frears and they would go on to make seven more films. MacCabe brings up the film’s representation of minorities and how it’s very different from other such films of the time (it’s far more upbeat than others). In conjunction w…, New, restored 2K digital transfer, supervised by director of photography Oliver Stapleton, with uncompressed monaural soundtrack on the Blu-ray, New conversation between director Stephen Frears and producer Colin MacCabe, New interviews with writer Hanif Kureishi, producers Tim Bevan and Sarah Radclyffe, and Stapleton, English subtitles for the deaf and hard of hearing. Since the faint details don’t come through all that well textures aren’t as strong as one may hope. It runs about 21-minutes.

The film was initially made for television until it was screened at a film festival where built up interest and strong word of mouth.

Nevertheless, for many of those South Asians who were curious enough to look beyond Bollywood and did find this film, it proved to be hugely influential and inspiring. I was the son of a first-generation Pakistani immigrant father who worked on the production line of a car factory. In celebration of the festival’s three-decade anni…, This fall the British Film Institute inaugurated a season-long celebration of on-screen romance with LOVE, its UK-wide series of theatrical screenings and rereleases of classic film love stories—from Badlands to A Room with a View.

Stephen Frears was at the forefront of the British cinematic revival of the mid-1980s, and the delightfully transgressive My Beautiful Laundrette is his greatest triumph of the period. Stephen Frear’s My Beautiful Laundrette arrives on Blu-ray thanks to The Criterion Collection, who presents the film in its original theatrical aspect ratio of about 1.66:1. Those who have followed in that film’s wake have taken differing stylistic paths. My Beautiful Laundrette is the story of Omar (Gordon Warnecke), a British Pakistani with big ambitions to renovate his uncle’s laundrette, and Johnny (Daniel Day-Lewis), the former skinhead he enlists to help him, who becomes his lover. Some low lit sequences look more pixilated than naturally grainy, but most of the film renders grain well and dances around naturally.

Unfortunately I found a good chunk of dialogue hard to hear, a lot of it coming off muffled and flat. Working from a richly layered script by Hanif Kureishi, who was soon to be an internationally renowned writer, Frears tells an uncommon love story that takes place between a young South London Pakistani man (Gordon Warnecke), who decides to open an upscale laundromat to make his family proud, and his childhood friend, a skinhead (Daniel Day-Lewis, in a breakthrough role) who volunteers to help make his dream a reality. In the eighties, most of those whose heritage was South Asian identified themselves simply as Asian. (He had written his first novel, Run Hard Black Man, at the age of fourteen, and by eighteen was working for the Royal Court Theatre.) Free shipping . A Pulitzer Prize–winning poet pays tribute to the liberating power of the pioneering filmmaker and his truth-telling body of work. The long-running BBC comedy series Goodness Gracious Me—whose cast were all South Asian—also owed a debt to My Beautiful Laundrette, as, in truth, does pretty much every British Asian filmmaker, comedian, and writer, including myself. It also belongs to an age when there were very few actors or writers of Pakistani heritage; My Beautiful Laundrette was a film about Pakistanis, and yet none of the key figures who created it or appear in it are fully Pakistani: Kureishi, as already noted, is of mixed race; Warnecke is of Indo-Guyanese and German descent; many of the other actors are of Indian heritage.